A theatrical release of your film means exhibition to the paying public at the commercial cinema. Typically the distributor pays you upfront for the film, and you share in the waterfall.
Someone who has relationships with theaters. Generally not cheap to hire and often have mixed results. But, depending on the arrangement, you will get the majority of the revenue from the release.
<aside> <img src="/icons/search_purple.svg" alt="/icons/search_purple.svg" width="40px" /> Go Deeper: Brian Newman recently covered the pros and cons of working with a theatrical booker, and how it compares to acquisition by a theatrical distribution in Sub-Genre’s Film 101 here.
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You can pitch to theatrical venues directly, such as ****cinemas, event spaces, etc. If you know exactly where your audience is geographically located, you can scout and pitch theaters where they are at. Things to know in advance:
The following are primarily distributors that acquire films at film festivals. Some may have output deals with streamers, some may not. Some are streamers that may put the film in theaters. Some may primarily produce or co-finance in addition to making acquisitions.
A24
Amazon Studios
CBS Films
Cohen Media Group
Entertainment One
FilmRise
Focus Features
Forston Consulting
Greenwich Entertainment
IFC Films
Magnolia Pictures
Music Box Films
Neon
Roadside Attractions
Sony Pictures
STX Entertainment
These companies enter into for-hire or revenue share agreements. Their descriptions are from their websites in their own words.
Jon Reiss / 8Above
Variance
Gravitas Ventures
Together Films
Suncatcher
Greenwich Entertainment
WILLA
Tuckman Media
Abramarama
Blue Harbor
Eamonn Films